Cello
| North American Representation
"With his characteristic refinement, he searched out the evanescent sighing of the music, its diffidence and its dream."
— The London Times
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"For the Dvorak, the orchestra had the benefit of a world-class soloist, Ralph Kirshbaum, who made the cello line sing sweetly in the slow movement and played the outer movements with unrestrained intensity and drive."
— The New York Times
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"Kirshbaum's playing was both lean and urgent and, in the score's final pages, deployed a gorgeously nuanced range of shadings."
— The Washington Post
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"Kirshbaum's performance seemed intended as an homage to that older generation of cellists; it was generous in vibrato and sentiment, and he played with exceptional finish of detail."
— The Boston Globe
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"Kirshbaum is a musician who knows what he wants, goes for it, and gives it to his listeners straight."
— The Herald-Glasgow
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"To see cellist Ralph Kirshbaum perform is to witness a person approaching music most seriously. With that intense gaze, Kirshbaum is listening to the composition as a whole, to the composition as a structure, to try to gain insight into its totality."
— The Aspen Times
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"Kirshbaum's accuracy in the extensive double stops and his amazing facility were matched by his commitment to and involvement in the music; this is a cellist any music lover would want to hear regularly."
— The Seattle Times
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"Ralph Kirshbaum has taken ownership of Prokofiev's Cello Sonata..."
— The Strad
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"Ralph Kirshbaum has wonderful tone, utter technical reliability and the imagination to make the music feel both spontaneous and well planned."
— Pittsburgh Tribune-Review
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